| Rickie
Lee Jones Journal |
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November 8, 2001 sitting in this
little house on sunset blvd. now, tonight, I
feel a part of many people. the moon and I are being towed by the meticulous
windows and plugs and streetlamps all around the world, towed in from
the sea, to sleep in warm and nod off in gold light. towed by these
large wheeled come and getcha where ever ya are fans, by these all-wheel
offroad golden hearts that bring ya in from where ever you are and put
a blanket over ya and give ya a warm drink. i am reminded of
two things. one is when i was riding a horse in san antonio on a vacation
with my brother and mother. we went there to see my grandfather who
played sax in paul whitemans big band. and i rode a horse on the horse
trail in the park. it was cold, autumn, and i let the horse run back
into the stable. but the stable hand didn't sinch up the saddle well,
and the saddle came loose and just started slipping off the side of
the animal, but didn't come off, and i was holding on kind of upside
down, then i fell off, and the animal kind of ran over me. the other way i kind of feel is in the first grade, one of my favorate years, when i had my first birthday party, and I invited school friends and waited with great anticipation for their arrival. and then they came, one by one, down the path to my front door, in their birthday clothes, organdy dresses and bowties. or maybe just cotton dresses and ironed shirts, but all dressed up, and with presents in their hands. it was so cool. thats also how i
feel. and people hiding
in there from around the world. thanks also for
sending this gift, with our friend Barry, and Lee. god Bless yous.
February 24, 2001 Being very sentimental, not only today, yesterday too, but today more so, so full of sorrow and hope and filled with the vivid images of my life, i have particular oleander bushes sticking out of the air here, where are they from? Phoenix, so long ago, that dirt road where i fell in love, (as if there was one) or some house i passed, anywhere, really, here in the west, the poison oleander with its little sour flower, the heart aching dove call, so delicate, a bugle call, or gun fire, to tell the others it is here, here, that i am today. Here i am today. The fences i was describing seem lifted, but still i wait for a place to go, the prison gone, but i still stand here in the circumference of my old safe cell, and which way do i go, why go anywhere? why not sit here in the sage and the sagebrush and the dirt and the wind and the coming rains and stars that send out freezing prickles of unleashed, frying, cruel distance. How are we supposed to live, knowing that there are stars? Knowing that there are rocks in distance we cannot shape or know or remotely project ourselves into? How can poor mankind just go on living, knowing that there are stars, and galaxies, and that god is unimaginable, even though we have imagined it? What are we to do, here in l.a., Irish actors, ugly angry cars, skies like mother, remote, and perfectly inverted, blue, untouchable, desirable, the sky that finds the sea. What's the use of trying to be something that you're not. Some of us are not meant to live in a house, you can tell by my house, it is always throwing itself down into disorder, it does not want to be there. Some people are filled and operate to the maximum in order, with little shreds of disorder tapping on the yard and trees but i am from disorder, and order bounds me and leaves me empty. i am made to camp outside the reservation in a little motel. Velvet paintings are my constant companions. Men leaving taverns are the orchestra i carry, and the brass and the strings are the cactus, the freeway sign, the longing for somewhere. The longing for somewhere is why i came. This is the sign i carry, the peddle i push. There is nothing to be done. i cannot
make her house for her. She should have to be drug along this Here we go then. i cannot see the reason to keep trying to maintain a status quo. it is so arbitrary. i understand for the reckoning of having boundaries. i have not worked that out yet. but there is the little room, the refrigerator humming, the warm air and the flies are leaning against the beach and the screen door. i am there, even as i am here, even as i am up there. rlj
ashcroft
is going to legislate MORALITY How will his personal spirituality affect
his role as attorney general? For one thing, he disagrees with those
who say we shouldnt legislate morality. I think all we should
legislate is morality, he says. We shouldnt legislate
immorality. January 19, 2001 Interesting
that he challenged the result of this election...until... amazingly...
his "divine intervention" called and said you have a better
job here. calls this divine. divine republican intervention. You will
all remember that GW said, on t.v. Ged said he would DELIVER florida.
How can Ged deliver the votes of a state? Well, it was certainly delivered,
though not won... Ashcrofts most unusual test of faith occurred in November 2000, when he was defeated in his bid for re-election to the Senate. In a fluke sympathy vote, Missourians chose Democrat Mel Carnahan to represent them in Washington, even after the governor was killed in a plane crash on October 16. Carnahans widow agreed to serve in her husbands place, and Ashcroft gracefully accepted defeat. While George W. Bush and Vice President Al Gore were fighting over election results in Florida, Ashcroft refused to contest his loss to a dead man, even though some of his supporters urged him to take legal action. I'm a servant in this enterprise, Ashcroft told Charisma last month. For me to try and grab the reins from the people I serve, and say, 'Your will will be set aside because I have legal rights,' would have been inappropriate and wrong. But....isn't that what GW did?
January 12, 2001 we have no KING but JESUS check out how quickly you will wish you voted for Gore.... According to a transcript of his commencement address at Bob Jones, Ashcroft told students that ''Unique among the nations, America recognized the source of our character as being godly and eternal, not being civic and temporal. And because we have understood that our source is eternal, America has been different. We have no king but Jesus.'' Barry
Lynn, executive director of Americans for Separation of Church and State,
fired back in a statement on Friday, ''For a nominee for U.S. attorney
general to say that this country has 'no king but Jesus' is completely
unacceptable. In the United States, it is the Constitution that serves
as the I believe
this is only the beginning of what i feared Bush and his dad would bring
to our nation. When I wrote that abortion and forests would be the first to go if the republicans got in, I should have added that they will be followed quietly behind by religious freedom, who will be pulling a little red wagon full of the last meager benefits of health care for what used to be the middle class and has now become the poor. They will keep spouting socialism to evoke some knee-jerk response among those Americans who jerk their knees, and so keep the billion dollar industry of insurance the ones who decide who lives an dies. Who would have thought this would be our fate? I read on one of the posts on my site a comment by some naive voice that it was ridiculous to think that abortion could be retracted or hindered in any way. I wanted to ask that guy (who obviously did not have to fight for this right) to watch now, as the dignity and safety of this medical right is chipped away - starting the day this Ashcroft is made attorney general. Gale
Norton, a puppet for industry, in charge of the environmental protection
agency. I tell you, when this blatant disregard for glib derision of
the laws we have worked for thirty years to create to protect what little
is left of our land from business who will sell it out from under us
and our children to put a little (or alot) of money in their pockets
must not go unheralded. Herald it everywhere. Because you better believe
that it they don't care about that, soon they will get to you, too,
even you republicans,
December 2, 2000 Moon Town i am in a hotel in detroit, in some part of town where nobody lives, and it's so cold outside it's like we're closer to the moon here in detroit. The couple next door introduced themselves with big sex sounds through the walls...i hate being privy to that stuff. I wish the cheap hotels weren't so cheap. They've been talking rather loudly ever since. laughing too loud. It's an ok room, i moved here from a rather depressing suite, worn out rug, cushions turned the wrong way, smelled like car deodorizer, cherry to be exact. But man, I feel like I'm sharing the room. Yesterday our flight was delayed, we missed our connection and an already long day turned into about nine hours of travel to get to Austin to do a little radio thing, celebrating KGSR, a very hip station down there. I did my thing, Paul helping, then met some of the other musicians, a nice girl from Nashville who I gave some champagne to because someone took her bottle of beer. It was her birthday beer. She had already played. I liked her. she just turned 44. Her name is Kim. Then i went and played with Taj Mahal, one song. a joyful noise. i was embodying smile. that is, i smiled with foot, posture, head and coat. it was nice. then i ate cake and went home. thank goodness for amc, because out here it's the only thing to hang on to, old black and white movies, gus kahn, or jimmy stewart being some kind or other hero, and cool clothes, i look good in 40's clothes, can't find them anymore. The crew all holds up in their rooms. Tom duct taped the dnd sign to his door, permanent like, and Paul went out, as usual. he knows somebody in every town. Rick may and i went down to a bar and ate a burger. but this place, where are the people? i see cars, lights, but where are all the people? It's like a movie set. i think we are in a strange part of town. the pods have not finished growing. rlj
December 5, 2000 Actually I have never done a commercial. I have been imitated and definitely ripped off. I wonder, back in the eighties, was there something in some other country? Can't remember, I was running out of money. McDonald's and Dr. Pepper were the first to really blatantly rip off my voice, and the particular production of woody and dutch, finger-snapping quips, and the 'hey mister' of it all. The Orb used my voice for a record or four or five and they allowed v.w. to use their recording for a big fee. so you heard me talking about all the beautiful colors while the new v.w. swirled around. I could not have stopped them. Just got a request to use easy money in a bank commercial. Lot of money but, no, that's not why I came here. The record company asked me as well, someone wanted me to sing a commercial, a Frank Sinatra song. I am sure you will hear plenty of Rickie Lee Jones type singers in commercials for a long time, just as you have. I liked that particular posting about black songwriters, understand his/her worry. I think, though, the writer missed the point. The point is, music comes from god, We sing, we gather joyfully to make a joyful noise. Being on the receiving end of the good and bad of interest in me as songwriter, I encourage the listener to enjoy the song for its sake, and refrain from idolatry of the writer. For whatever we song writers may suffer, woman, man, many colored head, the thing is to hear some one, some where, singing some song we wrote, Then, we know we live, in a way, among, within, and that we have served, that our idea lives on. That is the thing we do it for. Well, that is the golden fleece, anyway, as far as I can tell. But a roylaty check doesn't hurt, either. and a little glory, that's not bad. rljones
December 9, 2000 Recovering in GHOSTYheadLAND Now
I am leaving Philly. I had a good time at this club last night. It seemed
pretty full. The audience didn't clap alot, but they were pretty glued
to their places, so I think they liked it. You know, it's never bad.
It's a good crew, good band, I am having fun again. I have to get on the bus, but I am going to write some on the trip to New York. rlj
December 12, 2000 Notes from New York It's
noon, I'm finally waking up. I love new york, all the horns honking
and trucks backing up and garbage being thrown around, and the machines
of all kinds determined to make all the noise they can. The people in
motion. No where else is there so much activity, so many ants on their
way. I like to walk around and look in the windows. There is a gallery
around the corner selling photographs of a long dead photographer, a
big portrait of Einstein in the window. There are old jewels, tiny women's
shoes, and silly amazing new fashions from famous designers everywhere.
There are furs again - guess the mink population has lost it's lobby
with the animal rights people, or with the rich, or whoever, and ahhh,
the decadence, the extreme wealth, it radiates heat on these chilly
afternoons. Lots of euro trash up here. They smoke on the non smoking
floors, they don't Now
comes the last show of the year, an amazing year. It started with people
anticipating the apocalypse. Imagine the collective sigh that has taken
place as life has gone on, on as usual. Making the record here last
year, manifesting that work, envisioning the people and the occasion.
One never has time to stop and say, Anyway I don't feel exactly well today. I bought a bottle of champagne last night, but I think I drank most of it. Alcohol is such a potent drug. I leave early tomorrow, so I am off to take a walk in the park. This will be the last post on the journal of the road, at least from the road. The show was very fun last night, and one more tonight, more big fun. I had a couple guests join in last night, but I think I won't do that tonight. goodbye. December 16, 2000 Looking over my shoulder, and down the hillside at the sea. I am so glad the tour is over. I like it when I'm out, but that's because i have to like it. And of course it's cool to play, but it's terrifying, every night wondering if you'll perform, in this limited space, according to your and their hopes and expectations, wondering with each step if it will take you where you hope to go, then leveling that and saying, no these are not taking me anywhere, there is only here and now, and all this psychological drama one goes through is just to create the theater for the living fiction of the performance to take root in. I am working with reality (a kind of taxidermy) and with the imaginary (a kind of seabed of creation) world, and they are replicating in this little dish of the theater, fused, making our own play, each night different, out of the words and emotions of the singer and the listeners, dreamers, watchers. At this point it no longer matters what part of a line is or was, a character or me, because we weave it together to mean something about now, and so it's an alchemy every night. Some nights though, I hold back, I concentrate on the guitar strings. I cannot bear to reveal myself. Sometimes. If we sense some reticence from the crowd, we may ourselves stand at a distance. Or maybe they are enthusiastic, but I have created a many headed beast about them, and I cannot put my spear down. But still, I do my best, to be nonviolent, to offer my crooked compassion, my vulnerability. Then when I come back home, what is there to replace that intensity? So I become a supernova of normal. You can't see me. Maybe i will not go back to such bland colors anymore. Maybe it's not necessary to conceal myself with the heavy air of ... of ... past. I begin to dream and dream. I'm glad I have someplace to live. How lucky I am. RLJ December 20, 2000 A Relief of Christmas I guess Christmas is about as lonely as a shoe out on the road. It use to be somebody's, and it's hard to not go touch it while you're wondering how it got there. What lead Christmas to this old, silent road? Whose shoe is that? I wonder if they still make them? Nope, those days are gone forever. Over a long time ago. I
remember one Christmas in Phoenix when I was twelve and my sister whose
husband had more money than us, he was in computers, bought me a woolly
green and beige dress. It was kind of classy everyone said, and I was
supposed to like it. And I tried really hard to like it. I put it on
and walked around in it. But let me just make it clear that I would
have walked on the other side of the street if I'd seen it limping and
about to faint. That dress sucked, and it wasn't better than me, and
they certainly didn't know more than me because Anyways. We
tried buying those eastern things, but it just didn't work. We always
ended up barefoot and playing in the dirt. There was a lot of dirt back
then. Actually, I miss dirt. Everything is paved now. Up here dirt is
mud. Mud means they clear-cut. Mud just pisses me off. Actually though
we don't even get mud, because the ground here that supports the ecosystem
is very clayish, and when they cut the trees you get a kind of But there weren't many trees that Christmas Day in 1966. It was about 80 degrees I think. Maybe it was 67. Who knows. I always got my dad a tie. And he would just rave about my ties. He'd say, "I always love the ties Rickie gets me." And I would use my special extra sensor to imagine just the right tie for my dad. He looked beautiful in my ties. I liked to get my mother a necklace. I would look at all the necklaces in the department store, Penny's, or Sears, or Montgomery Ward. She only went out about three times in my entire life, but she wore the necklace I got her all three times. Two years ago Charlotte found out there was no Santa. A die-hard, a holdout, she was the last of her kind, the oldest one to still believe there was a Santa. I
was ashamed, thinking she trusted me so completely she did not believe
I would lie to her about something as important as the existence of
a thing everyone took for granted, and even talked to, stuff like that.
She cried and cried that Christmas Eve, and slept by the tree, even
though she knew there was no Santa. I took a photograph of her that
morning, opening presents with her brave and broken heart, haggard from
a night of despair. And then I took a photograph at the moment she opened
her last present. You would see, then, a look, slightly mustered up,
but also kind of real, a look of incredulous relief, as she realized
a gift that she had not told me about, and only had told Santa. So,
giving herself a break, felt yes, in the secret And Christmas is full of so many stories we each have, of our own and the ones we inherited, and I tread slowly and carefully toward that fat and slow house, where time stands still, but the price is high, and the streets are littered with old shoes to testify to the ragged and torn struggle just outside the door. Love, |
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The Musical Life by Hilton Als Rickie's February 2000 Journal
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| © Copyright 2000 Rickie Lee Jones ALL RIGHTS RESERVED | |